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Fela Kuti The life of Fela is full of contradictions, and that's a large part of what makes him so captivating. People who love him will accept his flaws. His songs typically last 20 minutes or more, and are sung in dense, almost incomprehensible Pidgin English. His music is influenced by Christian hymns and classical music. He also blends jazz, Yoruba, and highlife with guitars and horns. He was a musician Fela Kuti embodied that music can be a powerful tool to influence the world. His music was used to advocate for social, political and economic reforms. His influence is still felt today. His musical style, Afrobeat, is a synthesis of African and Western influences. Its roots lie in West-African hip-life music and funk, but it has since developed into its own genre. His political activism was fierce and he did it without fear. He made use of his music to protest against government corruption and human right abuses. Songs such as “Zombie”, “Coffin for the State Head” and others were blatant criticisms of Nigeria's dictatorship. He also used Kalakuta as a venue to meet like-minded people and to encourage political activism. The play features a large portrait of his late mother, Funmilayo Ransome-Kuti, who was a prominent feminist activist and pioneer of the feminist movement. The actress who portrays her is Shantel Cribbs, who successfully communicated her importance in the life of Fela. The play also explores her political activism. Despite her declining health, she refused to get checked for AIDS and instead opted for traditional medicine. He was a musician The Fela Ransome Kuti was a complex man who used his music to facilitate political change. He is famous for his work on Afrobeat, a mix of funk and dirty African rhythms. He was a vocal critic of Nigeria's religious and governmental leaders. Fela's mother was a suffragist against colonialism So it's not surprising that he has a love for social commentary and politics. His parents had hoped that he would become a doctor but there were other goals for him. A trip to America changed his perspective forever. The music he composed was greatly influenced by his exposure to Black Power movements and the leaders such as Eldridge Clever and Malcolm X. He adopted a philosophy of Pan-Africanism, that would influence and guide his later work. He was a songwriter Fela was introduced to Black Power activists such as Stokely Carmichael, and Malcolm X during his time in the United States. The experience inspired him to form an organization called the Movement of the People and compose songs that expressed the ideas he had about activism and black awareness. His philosophies were expressed through the medium of yabis, which is a form of public speaking he dubbed 'freedom of expression'. He also began to establish strict moral codes for his band, such as refusing to use medicine from Western-trained doctors. Fela returned to Nigeria and started building his own club in Ikeja. The frequent raids by military and police officials were almost constant. His Mosholashi-Idi Oro hangers repopulated the area around the club with drugs of all kinds particularly “bana” and “yamuna” (heroin). Fela maintained his integrity in spite of this. His music speaks of his determination to challenge authority and demanding that the popular goals are recognized in official goals. It is an enduring legacy that will endure for generations. He was a poet In his music, Fela used light-hearted sarcasm to discuss political and economic issues in Nigeria. He also snarkily mocked his audience, the government, and even himself. In these shows, he referred to himself as “the big fish in the small pond.” These jokes were not accepted lightly by the authorities and he was frequently arrested and imprisonments, as well as beatings at the hands of the authorities. He eventually renamed himself Anikulapo which translates to “he has death in his bag.” In 1977, Fela released a song called “Zombie” in which he compared soldiers with brainless zombies that followed orders without asking questions. The military was irritated by this and seized Kalakuta Republic. They burned the place down and beat its inhabitants. During the raid, Fela's mother was thrown out of her second-floor window. Fela developed Afrobeat in the decades that after the nation's independence. Afrobeat is a music genre that combines jazz with native African rhythm. His songs attacked European imperialism in culture and praised African traditional beliefs and cultures. He also criticised fellow Africans for disrespecting their country's tradition. He stressed the importance of freedom and human rights. He was a hip-hop artist Fela Anikulapo Kuti, trumpeter and saxophonist, was born in Abeokuta in 1938. He is a pioneer in Afrobeat music. He was heavily influenced by jazz, rock and roll and also traditional African music, chants, and music. After a visit to the United States, Fela met Sandra Smith. She was an activist in the Black Power Movement. Her ideas were influential in his work. When he returned to Nigeria, Fela began using his music as a political tool. He criticized the government of his country, and argued against Western sensibilities that affected African culture. He also wrote about social injustices and human right abuses. He was repeatedly detained for his criticism of the military. Fela was also a proponent of marijuana in Africa that is also known as “igbo”. He often held public discussions at Afrika Shrine, which he referred to as “yabis” which was where he would ridicule government officials and spread his beliefs about freedom of expression and the beauty of women's bodies. Fela had Harems, which was a group of women who performed at his shows and supported him vocally. He was a dancer Fela was a master of musical fusion, combining elements from jazz, beat music, and highlife to create his own distinct style. He was a leading African musician and vocal critic of colonial rule. Fela refused to leave, despite being interrogated and detained by the Nigerian military junta, as well as witnessing the murder of his mother. He died in 1997 of AIDS-related complications. Fela was a well-known political activist who was critical of the oppressive Nigerian Government and endorsed the principles of Pan Africanism. His albums including 1973's Gentleman, focused on addressing oppression from both colonial and government parties. He also promoted black power and decried Christianity and Islam as non-African influenced religions that were used to divide the people of Africa. Shuffering and Smiling is the title track of the album released in 1978. It describes crowded public transports filled with people who are poor, “shuffering and smiling”. Fela was a fierce anti-religious hypocrisy. The dancers of Fela were an excellent complement to his music. They were sensual, vibrant, and regal. Their contributions were just as important as Fela’s words. He was an activist for the political cause. Fela Kuti utilized music as a way to challenge oppressive authorities. He adapted his knowledge of American jazz and funk to African rhythms and modes making music that was ready for fight. fela lawsuits of his songs start with slow-burning instrumentals, then adding short-lined melodies and riffs until they explode in a flash of vigor. Fela like many artists who were afraid to speak about their politics was unflinching and uncompromising. He stood up for what he believed in, even when it was risky. His mother, Funmilayo Runsome-Kuti was a fervent feminist who led the Nigerian Women's Movement. His father was a protestant minister and president of the teachers union. He also established Kalakuta Republic – a recording studio and commune that was an emblem of the resistance. The government raided Kalakuta Republic, destroying property and severely injuring Fela. He refused to give up, though, and continued to voice his opinion against the government. He passed away from complications of AIDS in 1997. He was succeeded by his son, Femi, who continues to carry on his music and political legacy. He was a father Music is often seen by many as a political action. The lyrics of musicians are used to call for a change. Some of the most powerful music demonstrations aren't performed with words. Fela Kuti was one such artist, and his music still rings out to this day. He pioneered Afrobeat that combines traditional African rhythms and harmonies, with jazz and funk, in the style of artists like James Brown. Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist and fought colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in a Nigeria that served its the entire population. Fela's son Seun continues his father's legacy, through the band Egypt 80 that's touring the world this year. The music of Egypt 80 combines the sounds of Fela with a scathing denunciation of the power structures that exist today. Black Times will be released by the end of March. A large number of fans gathered to pay their respects at the funeral held in Tafawa Balewa square. The crowd was so big that police had to shut off the entrance to the venue.